A.F.E. Smith
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A question of trust? One reader's thoughts on the noble art of bookselling

6/7/2014

8 Comments

 
Here's a question for you: what makes you decide to buy a particular book? For me as a reader, it could be one or more of a number of factors:

1. I’ve heard good things about it from someone I trust, be that a review site or a friend.

2. I’ve interacted with the author in some way that didn’t involve them trying to sell me their book.

3. It’s by an author I know I like, and/or it’s been released by a publisher whose other books I’ve enjoyed.

4. It’s on sale so I figure it’s worth giving it a shot.

5. I needed something to read in a hurry and this one caught my eye in the bookstore (physical or virtual).

As I approach the point where I’ll become a published author myself, I’ve been thinking about this a fair bit: what I, as a reader, do and don’t like when it comes to interacting with authors. And I think it’s noticeable that none of the contributing factors I’ve listed above are a result of direct self-promotion on the author’s part. Price clearly plays its part, but most of what sways me towards buying a book is to do with trust. OK, yes, and impulse buying – I’m an avid reader, it would be surprising if I didn’t pick up random books on a semi-regular basis. But in the main, I buy a book because I trust the author, the publisher and/or other readers.

So how does that trust develop? Traditional publishing is the, er, traditional method; in theory, readers should be able to trust that the books being released by traditional publishers are worth reading. I don’t want to get into a publishing route debate here, so I’ll just note that (1) this method does work for me as a reader, in that there are certain publishers whose new books I’m highly likely to check out, based on their output in the past (and I consider myself lucky that my own publisher is one of them); but (2) I certainly don’t limit myself to trad pub releases, because I have other ways to find books and authors I trust. That’s the beauty of today’s publishing world from a reader perspective – it has opened up so many doors.

So what are those other ways of building trust? There’s word of mouth, and there’s what the author him- or herself does online. Word of mouth is obviously an important one: if my friend or my favourite review site is raving about a particular book, I’m much more likely to pick up a copy myself. You might think that a similar principle extends to Amazon or Goodreads reviews – overwhelmingly positive reviews are another reason to trust the book, right? Well, actually, that isn’t the case for me, because I have no reason to trust the reviewers. They might be the author’s friends and family. They might have completely different taste from me. When it comes to a review, my trust is based solely on the content of that review, not on the star rating. If a reviewer has written eloquently and specifically enough about why he or she liked or disliked the book, my own feeling towards the book may be affected accordingly. But that’s very much a secondary form of trust. So for me as a reader, Amazon reviews aren’t nearly as important as authors might think.

And then we come to the author’s own behaviour. There are some writers who I know through being a writer myself – I’ve connected with them on writing sites or social media. I’m highly likely to buy their books because I know and like the people themselves. But for those writers with whom my relationship is reader–author, rather than author–author, what is it that makes me trust them? What is it that would drive me to buy their book after interacting with them on Twitter or visiting their website? Well, here are a few features of the authors who have got me to do just that:

  • They can spell and punctuate properly. I’m putting this first because I find the opposite off-putting enough that even doing everything else on this list couldn’t redeem the offender. That’s probably just me, because I’m an editor as well as a reader and so a bit anal in that regard; but really, if you’re putting yourself forward as a writer then I can’t understand anything beyond the occasional genuine typo in a promotional context.
  • They write interesting/eloquent/witty blog posts.
  • Their Twitter feed has actual content and not just a series of links to their book on Amazon interspersed with retweets of other people’s links.
  • They don’t engage in pushy or self-pitying behaviour (I find ‘why does no-one ever buy my book/comment on my blog/like my status’ as off-putting as ‘BUY MY BOOK IT’S WONDERFUL HERE’S THE LINK PLEASE RETWEET’).
  • They don’t hijack. By that I mean they don’t steer every forum conversation round to their own book at the earliest opportunity. Nor do they pick up a hashtag that’s trending on Twitter and use it in completely unrelated promotional tweets in an attempt to piggyback off a popular topic (seriously, every time I see someone do that, I strike their book right off my to-read list).
  • They can give an opinion without belittling someone else’s. That’s a pretty rare trait on the internet these days, so bonus points for that one.

Then there are other behaviours that seem to be accepted marketing wisdom, but leave me pretty much indifferent as a reader. Perhaps controversially, these include giveaways. Or rather, the kind of giveaways that bombard me with chances to WIN THIS NEW BOOK without going to the effort of explaining what the book is and why I’d like it. I’ve seen authors use giveaways very effectively as one component in a promo campaign – an enticement that’s backed up by more substantial content on a blog or website or wherever. But without that … well, let’s just say that I’ve entered various giveaways that weren’t backed up by anything else, and the number of books I’ve gone on to buy as a result is precisely zero – except in those cases where I was already intending to buy the book featured in the giveaway. I realise that often, the point for the author isn’t to sell books so much as it is to gain new fans, but a Facebook like or a Twitter follow is cheap – and since I’m the kind of reader who only joins a mailing list if I’m genuinely interested in the author, a giveaway won’t convince me to sign up for someone’s newsletter. Just like all tools, their effectiveness depends on their use.

Overall, it’s pretty clear to me that there’s no one magic bullet. As a reader, I prefer to engage with authors who are literate, professional, interesting to be around. Whose work is recommended by a friend or a reviewer or a publisher. Who seem like genuine people instead of relentless selling machines. I trust those authors to give me a good reading experience. And I think that’s what it all comes down to: a question of trust.

Still, I’m just one reader. What convinces you to buy a book?
8 Comments
Tricia Drammeh link
6/7/2014 04:39:53 pm

No, I never buy a book based on self-promotion. If I've interacted with an author and I've come to enjoy their writing style (usually through blogs I follow), I'll want to buy their books. There are so many books to chose from, it's hard to decide.

As an author, I don't do a lot of promotion. I enjoy blog tours and giveaways with other authors because it isn't all "me, me, me." I have the opportunity to promote my friends and meet other authors. I haven't seen a spike in book sales as a result of these blog tours and giveaways, but I've met some nice people and found books for my own reading pleasure.

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A.F.E. Smith link
7/7/2014 02:40:13 am

I definitely agree that blog tours and giveaways can be great if they're done well. And I think your comment shows that readers who are also authors find new books in slightly different ways from other readers, through the communities they build with their fellow writers. This is my difficulty, though -- most of the readers I currently interact with online are also writers, so it's really hard to find out what other readers think of everything we do!

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M T McGuire link
8/7/2014 12:27:54 am

Hmmm... Well I have to put my hands up to making a lot of jokes about my piss poor sales but since they're better now I've stopped.

For what it's worth I go on two things, recommendation by a friend or organisation I trust - like Bargain Indie Reads for example - I've found some cracking books on there. Second, if I know and like the author.

To confirm your suspicions, yes, there are a couple of books I will never read because it the way their author spammed the amazon forums when I hung out there. Yes I totally agree about the twitter freed and at the moment I worry a little about mine on that account. That is why, mostly, I tend to use twitter to report that I've done a blog post and not much else....

Personally I enjoy other blogs but you're right, not if they're buy my book. I gave up on one blog because despite writing excellent posts every second or third was begging for funding for kick starter campaigns. Every now and again is great for that but if you have a campaign running all the time, the way this fellow did.

So yes, as a reader, I need to know the book is out there - mailing list is important for that I reckon - but not at the expense of all else. I also loathe being sold to. Anyone starts marketing techniques on mu - nlp foe example - and I'm out of there.

Those are my random thoughts on the topic... Oh yes and in most cases less is more on blogs and I like posts telling me about x or y post and recommending another blog but I don't like re logs....

There.

That's practically a blog post on it's own.

Cheers

MTM

Reply
A.F.E. Smith link
8/7/2014 01:37:33 am

I like your jokes, MTM! Self-deprecating humour isn't at all the same as moaning about a lack of response to a promotion as if readers somehow owe the author something for having written a book.

Many thanks for your thoughts. It seems pretty clear that not many people like the 'hard sell'. Which makes me wonder why authors keep attempting it …

Reply
MTMcGuire link
8/7/2014 03:15:29 am

Yeh, I wonder. Also there's so much of 'what I must do to....' but no so much of the 'what do people want me to do?' side of it. It's tricky.

Cheers

MTM

Diana Jackson link
9/7/2014 08:30:27 am

Hi
I agree with you about twitter. I enjoyed using it when I had less than 200 followers because I really got to know people that way, but a great deal of tweets are 'white noise' like ads on TV and I just scroll down and ignore them. I do read the occasional new blog through a cleverly worded intro on twitter though. People I get to know on Twitter usually transfer to facebook after a while. I'll put up a defense for high star reviews though. Some readers get to know your work and however much you say 'I don't mind the star rating, just write what you really think' they still put 5*****. Are these people friends? No ~ I've connected with them through social media ~ they have become more than fans and I'd love to meet them one day. They believe in your writing because they really love it. Their comments are usually thoughtful and deep ~ genuine I would say. How do you reach a wider public? That is the million dollar question.

Reply
A.F.E. Smith link
9/7/2014 09:26:57 am

Thanks for your thoughts, Diana! As a writer I would definitely love to receive five star reviews like the ones you describe, written by true fans. I guess my point was that as a reader, I pay more attention to the content of the review than the star rating, because that's the main way I can get information about the book. I find thoughtful but positive comments like the ones you describe much more trustworthy than just 'this book was great, five stars'! (Obviously I also appreciate that not everyone has the time to write a detailed review, but as a reader, it's those reviews that carry most weight for me.)

Reply
Charybdis
10/7/2014 03:06:34 am

I'm a sucker for good stitched binding. Recommendations from people I dislike so I have a new basis to argue with them. Really thick books as I think of it as value for money - relic from my student days. If it's the second book in a trilogy. If the author tried to write a nice concise trilogy and it's ballooned out of control into at least one additional tome. Any book in a trilogy where the author is a couple of years late in delivery and appears to have given up.

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